I
get off the bus at the wrong stop
and
walk two blocks of tough neighborhood,see you tied to a post in a vacant lot,
I can’t help it—come up close
to see if you’re dead.
You are not dead, but only God knows
what they’ve done to you;
blood still seeps, some of it sticky in your hair.
Your eyes are open and see me.
“Did you ask to be here," I ask,
"on this spot, or here in general? I mean,
is this precise torture part of the plan?
Was this a mistake?
Is it what you wanted?”
I ask questions because I cannot
figure out how to free or comfort you.
You answer, “Why not here, and now?
I entered the fray, this glittering life
that moans and mourns.
Why are you here?
You could have kept walking.”
I say, “All of it feels wrong.
Atonement, propitiation—what do they mean
and how could they be necessary?
This is no formula of sin and hope, but nonsense;
it is—pardon the expression—overkill.”
Your
gaze burns though I know you are dying,
slipping
while I watch, leaving without anxietyas though turning loose of a handrail to get a better view.
I throb with rage you seem to have missed;
are you not violently disappointed
that this death has not stopped all others?
Are you not disturbed
that the world’s architecture is destroyed,
its virtues twisted like melted beams
and its straight, tall doors torn agape
at the vulnerable space of death?
“You have undone everything,” I say,
but
my tears betray bone-deep relief.My hollow places ring dark praise.
You smile through blood and broken teeth.
My knees buckle and I kneel, resisting,
on the stained grass.
“It needed undoing,” you say,
then
cry with me quietly, so lovely.I grasp your swollen purple hand and say,
“Thank you.”
—VHWright, 11/11/11, revised 4/7/14
This is so moving and powerful, Vinita. Thank you for sharing this and for making Good Friday more personal.
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